If the TRIGGER is set too high, the filter may “stutter” due to multiple triggering.
TRIGGER - Determines the input volume at which the filter circuits will “turn on.” It does not affect any other circuitry.
When the Status LED is off, the Micro Synth is in True Bypass mode. When the Status LED is lit, the Micro Synthesizer is in effect mode. In all cases, high-numbered control settings increase the level of the given effect.įOOTSWITCH and Status LED - The Footswitch selects either effect mode or True Bypass. OPERATION: The Micro Synth’s controls operate as described below. Please do not touch any other components when the bottom plate is removed or you risk damaging the circuit board or the components. Turning it counter-clockwise will decrease preamp gain. Turning the trim pot clockwise will increase the preamp gain. Look for the small trim pot in the lower left corner of the circuit board, it is labeled TRIM1 GAIN TRIM. To access the preamp gain adjustment, remove the bottom plate from the Micro Synth. A screwdriver or alignment tool with a tip width of no more than 1/16” is required. If you will be using another instrument with higher or lower output, it may be necessary to readjust this setting. PREAMP GAIN ADJUSTMENT: The preamp gain in the Micro Synth has been set at the factory for use with a guitar equipped with single-coil pickups. When combined, these controls offer the user a creative capability that is virtually limitless. In addition, a sophisticated swept filter control allows highly variable frequency adjustments to be applied to the overall output signal. The MICRO SYNTH can modify these signals with envelope control for a variety of “bowed” or “blown” sounds. Its four voices: GUITAR, OCTAVE, SUB OCTAVE AND SQUARE WAVE are completely independent and fully mixable. The Micro Synth can create some of the most popular synthesizer textures at a fraction of the cost for such capabilities. Compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects.
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Meris Enzo Synthesizer – A great pedal solution with exceptional tracking capabilities, even for polyphonic uses such as full chords.
DigiTech Dirty Robot Stereo Mini-Synth Pedal – The DigiTech Dirty Robot lets you morph and mix several octave and waveform settings, with a secret switch to add ‘cybernetic’ tones and textures.Red Witch Synthotron II – A very flexible synthesizer with multiple oscillators, each with an extensive controls set to make your sound your own.While the nine pedals we looked at are the cream of the crop, there certainly are plenty of honorable mentions worth taking a look at: Most Unique Synth Engine: A new approach to guitar synth pedals that produces fresh, new tonesīest ’80s Synth: An effective way to mirror the popular sounds from the decade when synthesizers ruled the scene Is there really anything more that needs to be said?
Most Rugged Synth Pedal: It’s a Boss pedal. Top Compact Synth Pedal: The level of flexibility in this small package is nothing short of impressive Premium Pick: The SY-300 offers a range of features that take it a step above most other pedals on the marketīest Vintage Analog Synth: The solid choice for a pedal that mimics classic synthesizer tones from the pastīest Modular Synth: The unique design offers a level of flexibility not found in even some of the best guitar synth pedals Best Choice: This monster of a pedal takes a completely different approach than most, so prepare to have your mind blownīest Value: A superb cost-effective model from Mooer, offering great synthesizer sounds on a budget
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